Doris Kutschbach Der Blaue Reiter. Prestel junior Verlag (Paperback )
Der Blaue Reiter, (German: "The Blue Rider") organization of artists based in Germany that contributed greatly to the development of abstract art.Neither a movement nor a school with a definite program, Der Blaue Reiter was a loosely knit organization of artists that organized group shows between 1911 and 1914.
Culture Weekend "Blaue Reiter" (W. Kandinsky & F. Marc)
Der Blaue Reiter painting was structured around an idea that color and form carried concrete spiritual values. Thus, the move into abstraction resulted partly from radically separating form and color into discrete elements within a painting or applying non-naturalistic color to recognizable objects. The name "Der Blaue Reiter" referred to.
Basel Kandinsky, Marc & Der Blaue Reiter at the Beyeler Inexhibit
by DR. CHARLES CRAMER and DR. KIM GRANT. Figure 3.2.3.1 3.2.3. 1: Vasily Kandinsky, Der Blaue Reiter Almanac cover page with St. George, 1912. The 1912 art book Der Blaue Reiter (The Blue Rider) was originally intended to be a yearly "almanac" published by a Munich-based artists' collective of the same name. It is a fascinating document.
Der Blaue Reiter lex.dk Den Store Danske
Der Blaue Reiter. (The Blue Rider) Formed in 1911 in Munich as an association of painters and an exhibiting society led by Vasily Kandinsky and Franz Marc. Using a visual vocabulary of abstract forms and prismatic colors, Blaue Reiter artists explored the spiritual values of art as a counter to [what they saw as] the corruption and materialism.
The Blue Rider A dance in colours « The ALBERTINA Museum Vienna
Der Blaue Reiter is a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name, first published in mid-May 1912. The editorial team organized two exhibitions in Munich in 1911 and 1912 to demonstrate their art-theoretical ideas based on the works of art exhibited.
German Art Movements of the Early 20th Century The Art History Archive
Der Blaue Reiter ist eine Bezeichnung von Wassily Kandinsky und Franz Marc für ihre Ausstellungs- und Publikationstätigkeit, bei der beide Künstler in dem erstmals Mitte Mai 1912 herausgegebenen gleichnamigen Almanach als alleinige Herausgeber fungierten. [1] Das Redaktionsteam organisierte in den Jahren 1911 und 1912 zwei Ausstellungen in.
Der blaue reiter (Il cavaliere azzurro) arte Studia Rapido
Der Blaue Reiter were a group of international artists based in Munich who experimented with Abstraction and Expressionism. Initially founded by Wassily Kandinsky and Franz Marc, other members included Paul Klee, August Macke, Marianne von Werefkin and Alexej von Jawlensky. Along with the Die Brucke movement in Dresden, they laid the foundation.
Deutsch für alle DER BLAUE REITER
The 1912 art book Der Blaue Reiter (The Blue Rider) was originally intended to be a yearly "almanac" published by a Munich-based artists' collective of the same name. It is a fascinating document of the early-twentieth century Expressionist art scene, featuring a dozen essays on topics ranging from so-called primitive masks to the stage direction for an experimental "color-tone drama.
Kandinsky, Marc und der Blaue Reiter
Der Blaue Reiter translates in English as The Blue Rider. A number of avant-garde artists living in Munich had founded the Neue Kunstler Vereiningung, or New Artist Association (N.K.V.). The most important of these were the Russian born Wassily Kandinsky and the German, Franz Marc. In 1911 Kandinsky and Marc broke with the rest of the N.K.V. and in December that year held in Munich the first.
Der Blaue Reiter History, Characteristics, Artists Sotheby’s
Der Blaue Reiter, (German: "The Blue Rider") Organization of Expressionist artists formed in Munich in 1911 by Vasily Kandinsky and Franz Marc. The name derived from a volume of essays and illustrations they published. Other members included Paul Klee and August Macke (1887-1914). Influenced by Jugendstil, Cubism, and Futurism but lacking.
Kandinsky, Marc und der Blaue Reiter
Der Blaue Reiter. Der Blaue Reiter ( The Blue Rider) is a designation by Wassily Kandinsky and Franz Marc for their exhibition and publication activities, in which both artists acted as sole editors in the almanac of the same name, first published in mid-May 1912. The editorial team organized two exhibitions in Munich in 1911 and 1912 to.
Der Blaue Reiter von PIPER
The 1912 art book Der Blaue Reiter (The Blue Rider) was originally intended to be a yearly "almanac" published by a Munich-based artists' collective of the same name. It is a fascinating document of the early-twentieth century Expressionist art scene, featuring a dozen essays on topics ranging from so-called primitive masks to the stage direction for an experimental "color-tone drama.
Der Blaue Reiter (The Blue Rider) Museum of Fine Arts, Boston
Der Blaue Reiter 1911 - 1914. German, ['Blue Rider'] an artists' movement which was active in Munich 1911-14. The principal members were Wassily Kandinsky, Franz Marc, Gabriele Münter, Alfred Kubin, Paul Klee, and August Macke. A successor to the Neue Künstlervereinigung, the Blaue Reiter held its first exhibition 1911-12.
Der Blaue Reiter à la fondation Beyeler Or Norme
More broadly, Der Blaue Reiter was in the vanguard of the movement towards expressionism and abstraction, leading the way for Gorky, Pollock, Basquiat and their proliferation of artistic heirs today. Wassily Kandinsky, ZUM THEMA JÜNGSTES GERICHT (ON THE THEME OF THE LAST JUDGEMENT), 1913. Lot Sold $22,879,000, November 2018.
Der Blaue Reiter (The Blue Rider) Tutt'Art Pittura * Scultura * Poesia * Musica
Der Blaue Reiter (The Blue Rider) was a group of Expressionist artists led by Franz Marc and Wassily Kandinsky. One of the group's primary goals was to use art to express spirituality. Other artists associated with the movement included August Macke, Gabriele Munter, Paul Klee, Alexei Jawlensky and Heinrich Campendonk The movement was disrupted.
Der Blaue Reiter Illustre groupe d'artistes de Munich
Der Blaue Reiter Almanac Cover by Wassily Kandinsky, Franz Marc, and Jean Arp, 1914, via Art Gallery of Ontario, Toronto. The "Blaue Reiter" Almanac is a collection of essays, illustrations, and musical scores that has become the basis for the group's objectives. On the cover of the book is the group's emblem of Saint George. The first edition included 1200 copies with 50 deluxe.